My work is a visual investigation of humor, fiction, and contradiction—tools I use to unearth meaning by deliberately destabilizing it. I explore the tension between sincerity and absurdity, surface and substance, icon and anecdote. Images, phrases, and gestures—lifted from everyday life, memory, or popular culture—are reassembled into compositions that mimic logic but reject resolution.

I often engage with familiar archetypes and cultural symbols, only to reframe them in unfamiliar, even uncomfortable contexts.

My interest lies in the performativity of seeing: how viewers assign narrative to form, and how easily that narrative can be manipulated. Through the creation of “fake meaning,” I aim not to deceive but to provoke a deeper skepticism—about images, about identity, and about the absurdities embedded in our shared visual language.

Each work begins with a joke or a fragment, but never ends there. In the silence between laugh and afterthought, I hope the viewer finds not just irony, but intimacy.